4.5 Stars
As big and daunting as Los Angeles is, it's also a relatively small
town, especially if you're trying to get into show business. Mia (Emma Stone)
is one of those many hopefuls. She's working at a coffee shop on the
Warner Brothers studio lot, giving the actors who are doing what she
longs to do their caffeine fix. Sebastian (Ryan Gosling) is
another hopeful, also currently scraping the bottom of the barrel. To
keep the roof over his head in his dumpy apartment and to pay what bills
he can, which isn't many, he plays jazz at any club that will have
him. Mia and Sebastian first meet in the notorious LA traffic. She is
holding up traffic going over lines for an audition, he is stuck behind
her. He passes her with a glare, she responds with another
unfriendly, but definitely Los Angelan gesture. Their paths cross
again later that evening after a party that Mia's roommates encourage
her to attend after a bad audition. She leaves on her own, walking home
after her car was towed and hears Sebastian playing at a club she
passes. She walks in just in time to see him get fired for not sticking
to the Christmas set list. She tries to compliment him, but he brushes
right by her. Months later at an 80s party, Mia gets some revenge as
Sebastian is performing with an 80s tribute band. They end up leaving
together in search of their cars and start a wonderful song and dance
duet a la Fred Astaire and Ginger Rogers.
After a number of close calls and missed opportunities in La La Land both professionally and personally,
Sebastian
encourages Mia to write her own show. She agrees, though terrified of
failure, and writes a one-woman show she will also perform. All
Sebastian wants is to own his own jazz club, but he doesn't have the
money, so he reluctantly takes a gig with a fellow musician. The group
is very successful, but it's not the type of jazz Sebastian wants to
play and it's keeping him apart from Mia. With
glimpses of romance with each other and opportunities for success in the
dog-eat-dog world of entertainment, the two must make some tough
decisions about what they really want out of life. Ultimately, they
both decide what is most important to each of them and they live happily
ever after . . . though, not quite how you might assume.
La La Land was written and directed by Damien Chazelle who
recently shot into the spotlight with his critically acclaimed writing
and directing achievement with Whiplash. While both deal with music, La La Land is completely different than his dark and torturous Whiplash. If
Bing Crosby, Danny Kaye, Gene Kelly, Debbie Reynolds, Judy Garland, or
Fred Astaire were still making musicals today, La La Land would be their
product. They don't make movies like this anymore, but hopefully the will after this. We've seen
episodes of How I Met Your Mother, Psych, Scrubs, Family Guy and even
South Park pay homage to the art of yesterdecade. We've also seen
musicals revitalized with Mama Mia!, Moulin Rouge, Rock of Ages, and
Jersey Boys. But a musical set today with the feel of the 50's is long
overdue and it's been worth the wait as La La Land combines traditional old school movie sets mixed with some of the modern
movie special effects that they couldn't even imagine in Singin' in the
Rain or Grease.
No comments:
Post a Comment